![]() This employs artificial intelligence to analyse your portrait and target different parts of the face. It’s best to use a fairly large brush tip and make short movements with the tool to gradually push pixels into new shapes.Īnother interesting feature of the Liquify command is the Face-aware controls. Found at the top left of the dialog, the Forward Warp tool is usually the most effective for reshaping objects. Then go to Filter>Liquify to enter the command. Begin by making a merged copy of all your layers with Cmd/Ctrl+Shift+Alt+E, then right-click the layer and ‘Convert to Smart Object’ (this keeps the filter non-destructive and editable). The Liquify command lets you push and pull pixels into different shapes, so it can be used for body shaping – perhaps to subtly shrink a double chin, or to rein in bouffant hair. ![]() If you want a quick effect then negative Texture can do a job for you. There are other, more-refined skin smoothing techniques such as High Pass and Frequency Separation that are superior, but these can take time. The Texture command works over mid-range frequencies in the image, so it ignores the finer frequencies that include skin textures and pores. Then fine-tune the Texture setting until you hit upon the right strength (a touch of negative Clarity can work too). Once done, turn on the mask overlay to check that the effect doesn’t cover important detail like the eyes and lips (if so, Alt-paint to erase). To do so, grab the Adjustment Brush, load it with negative Texture (start at -50), then paint over the skin to smooth out the tones. As such, it can be very effective for smoothing skin. Interestingly, it was originally designed to do exactly the opposite. The techniques explored can all help you achieve this…Ĭredit: James Paterson The Texture commandĪs the name suggests, the Texture command – which was recently introduced to Lightroom and Camera Raw – is a tool that is used for enhancing textures and details in your photos. As such, the job of the responsible retoucher should be about making a person appear at their very best without looking fake or unnatural. As such, retouching is often seen as a negative, but ask almost any person if they want that zit removed before you print the photo, and there will only be one answer. Those of us who use Photoshop regularly know the huge depth and potential it offers, but to the layman, its name is synonymous with one thing: artificial portrait enhancements. There is a fine line between subtle augmentation and excessive manipulation. But just because we can, it doesn’t mean we should. We can reshape bodies, change hair colour, enlarge eyes, eradicate wrinkles, swap heads, comp in muscles and more. ![]() Of course, the flip side of this is that – with enough skills – it’s easier than ever to completely change the way a person looks, but in a way that looks almost entirely natural. These days we can all spot an overly processed portrait – the blindingly white eyes, the plastic skin, the hyperreal tones – so now there’s more of an emphasis on natural- looking retouching. Thankfully, many of the trends that plagued the early years of digital imaging now look outdated. Portrait retouching has come a long way in recent times.
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